If you’ve been paying attention, you know 2010 has been a pivotal year for Seattle’s waterfront.
In March, the city awarded a contract for seawall work, worth about $18 million, to a multi-disciplinary team led by TetraTech. At the same time, it sped up the schedule to redesign and redevelop its Central Waterfront Project
What the waterfront looks like today. Image courtesy Clair Enlow
. The timing will allow seawall and waterfront teams to spend more time working together.
Wednesday was the RFQ deadline for central waterfront work. A team is expected to be chosen by the end of September. The budget for design work over the first two years is expected to be about $6 million while the estimated budget for planning and design of the entire project is between $50 and $70 million. It got 30 proposals on the urban design/public space side.
Not to mention the process (or sometimes lack thereof) for the replacement on the Alaskan Way Viaduct, which is crucial to how the city’s waterfront will be opened up.
Make no mistake about it, these projects combined will totally reshape our downtown. However, in all the hustle and bustle, it can be really hard to imagine just what that end result will be. Or what it is Seattleites want it to be.
If the city proceeds with the deep bore tunnel option, the goal is for the seawall to be done by the time the bored tunnel is complete, currently scheduled for 2016. Construction on the waterfront work could begin this same year.
The seawall may seem like the smallest of the three but how it is designed and managed will be incredibly important to the foundation of the other two projects. One big push is to create places along the waterfront for the public – for you and I – to interact with the water. Places that aren’t separated by physical walls but allow us to connect with water, the cultural backbone of our city.
In June, Bob Chandler, city program manager for the viaduct and seawall replacement, said the city is looking for a seawall that supports the waterfront while providing habitat value and creating space for people to interact with the water. “We have an opportunity,” he said. “We need to come up with an approach here that provides protection in a seismic event but that doesn’t necessarily mean this is a 35-foot high straight wall. It doesn’t mean that at all.”
My question is – how do you envision this?
What should it look like? How do you want to interact with the water, related to the seawall? Once the seawall is complete, what would your optimal redeveloped waterfront look like? Sustainably, what should its function really be?
Rhodes, Greece. The old town at night. Could we get this kind of energy along our waterfront?
At the core of this is the need to get normal people to want to hang out on Seattle’s waterfront during evenings and on the weekend, rather than just visiting when family and friends come into town.
I recently spent my honeymoon in Greece and Turkey. In each city I visited on the water, there were vibrant spaces located along its edge. I couldn’t help wondering what it would take to create the same kind of energy in our city: a bustling mix of tourists and locals that waxes on until the early hours of the morning every day. In Greece and Turkey, the answer is built on history, combined with making these spaces centers of tourism and city life.
These are a lot of questions, often without answer. Part of the point of the design process is to come up with that answer, and there will be a number of opportunities to participate in the formal process. One will be a meeting with teams shortlisted for the central waterfront design work at Benaroya Hall on Sept. 15 – mark your calendar. For now, I’d love to hear your thoughts.