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October 2, 2026
Just as the fate of the world hangs in the balance in “Digger,” Alejandro G. Iñárritu’s over-the-top, climate-disaster satire teeters on the brink.
It’s an audacious plate-spinning act, juggling exaggerated farce, sober anxieties and an oil-mad Tom Cruise. Iñárritu, an art-house showman, has always delighted in a grandiosity of vision: the long-take backstage circus of “Birdman,” the rugged vistas of “The Revenant,” the metaphysical musings of “Bardo.” You come to an Iñárritu movie for swagger, not subtlety.
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